Workflow # 1: Only Using a Portable Digital Recorder
For those who have a non-existent spending plan, or you’re taking care of a low-profile task for which you can not bring much gear, you could just have the portable digital recorder itself to address all the sound work with a shoot.
The step that is first to create the recorder to record 24-bit/48 kHz WAV files. With 24-bit/48 kHz being the broadcast standard for many productions, these files seem great, provides you with good headroom, and can play well with many movie files. Anticipate that recording at 24-bit/48 kHz gives you about a full hour of stereo recording per gigabyte. High-capacity SD cards have become increasingly more affordable, so consider picking right up a number of those. It is always an idea that is good a back-up card or two in your equipment case.
Many portable electronic recorders have actually decent-sounding integrated mics, but it doesn’t suggest they are going to provide the most readily useful audio for the movie productions. Sigue leyendo